Some of the outtakes from the March 2008 casting call for Adobe.
See if you can pick out who was selected for the final packaging photography.

Some of the outtakes from the March 2008 casting call for Adobe.
See if you can pick out who was selected for the final packaging photography.
While in London recently I had the pleasure of paying a visit to the studio of artist Jemima Brown, the recipient of the Mark Tanner Sculpture award for 2011. Jemima is known for her sculptural explorations of the animate versus the inanimate, and the formation of the complex visual narratives involved in self-creation. It was very inspiring to discuss the artist’s latest work and process as I photographed her for her September 2011 Standpoint Gallery exhibition catalog.
Once in awhile I’m a second shooter for Debra, and I love it that way. I’m basically free to roam the wedding and shoot to my hearts content while Deb focuses on client relations and formals. For me wedding photography is an adventure sport.
I’ve been following the work of Nate Kaiser and Jesh De Rox for a little while now. Their texture effects for images take on a very illustrated and antiqued look.
I come from both a photojournalism and a painting background. While I think that altering photos to this extreme is borderline on a “cheap effect”, I also appreciate how the new illustrations have more depth and meaning after being treated. Illustration has a long history, even in photography, so I was intrigued by these effects and wanted to try it for myself.
On Jesh’s site he states about his textures that “You are welcome to make your own, and in fact, this is highly encouraged.” I took up the challenge and these are my first attempt.
These are a continuation of my work with Danielle. She appears in earlier posts with the horse on the beach.
The APA (Advertising Photgraphers of America) have regular photo competitions and the current one is their 25th annual event. You can find it at: APA @ 25 NATIONAL PHOTO COMPETITION, SILVER TO PIXEL